Ming Turner | Associate Professor

Ming Turner
Tel: (06)-275-7575 ext: 54376


•   PhD in Art History and Theory, Loughborough University, UK (2003-2008)
•   MA in Fine Arts. National Kaohsiung Normal University, Taiwan (2001-2003)
•   BA in Fine Arts. National Taiwan Normal University, Taiwan (1997-2001)



•   Associate Professor, National Cheng Kung University, Institute of Creative Industries Design, Taiwan (Feb 2018 - present)
    Head of Visual Arts, National Cheng Kung University Art Centre (Feb 2015 - present)
•   Assistant Professor, National Cheng Kung University, Institute of Creative Industries Design, Taiwan (Aug 2013 - Feb 2018)
•   Postdoctoral Research Fellow, National Chiao Tung University, Research Centre for Humanities and Social Sciences, Taiwan (Jan 2013 – July 2013)
•   Lecturer, De Montfort University, UK (Jan 2009 – Oct 2012)
•   Visiting Faculty, Transart Institute, New York, USA (Aug 2009 – July 2011)
•   Research Assistant, Iris Archive, Loughborough University (Dec 2007 – July 2008)
•   Course Leader, Cornerhouse, Manchester (May 2008 – July 2008


•   Contemporary Visual Culture
•   Material Cultural Studies
•   Contemporary Art History and Theory
•   Feminist Art and Theory
•   Postcolonialism
•   Trans-cultural Visual Studies
•   Curation and Exhibition Management



•   Cultural Studies
•   Contemporary Curation: Theory and Practice
•   Introduction to New Media and Digital Arts


A.專書 Books

陳明惠 (2017年8月)。〈當代策展藝術及實踐:身體、性別、科技〉 (The Art of Contemporary Curation and Its Realisation: Body, Gender and Technology)。台北:五南圖書出版股份有限公司。(中英文出版)

陳明惠 (2017年2月)。〈策展.當代美學:身體、性別、離散〉 (Curating Contemporary Aesthetics)。台南:瑭譯國際策展有限公司。(中英文出版)

陳明惠 (主編)、歐蒂.琳絲Outi Remes. (編輯)(2015)。〈跨界:當代藝術中的游轉與鄉愁〉(Crossing Borders: Transition and Nostalgia in Contemporary Art)。台北:典藏出版社。(中英文出版)

B.期刊論文 Journal Essays

Turner, M. (2016). ‘Visualising Post-human and Cybersexuality: Lin Pey Chwen and the Eve Clone series’ in East Asian Journal of Popular Culture , Vol 2, Issue 2, October 2016, pp. 227-245.

Turner, M. (2015). ‘Transforming human and beast: Hybridization and diasporic identities in Daniel Lee’s art’ in Journal of Contemporary Chinese Arts , Vol 1, No 2&3, December 2014, pp. 201-213.

Turner, M. (2014). ‘Post-humanist Desire: Visualizing Cyborgs and the Hybridized Body’ in the International Journal of Cultural and Creative Industries, Vol 1, Issue 3, July 2014, pp. 86-97. http://www.ijcci.net/index.php?option=module&lang=en&task=pageinfo&id=128&index=10

Turner, M. (2014). ‘Digitality and Visuality of Nostalgia: Trans-ideology’ in Else Journal: art, literature, theory, creative media, issue 1, pp. 50-57.

? Turner, M. (2011). ‘Food, Popular Culture and Representation: The Fantasy World Seen Through Deng Wen-Jen’s Eyes’ in Modern Art Asia, Issue 7, Aug 2011.

Turner, M. (2012). ‘Quasi-skin and Post-religion: Lin Pey Chwen’s Eve Clone series, 2010-
11’ in n.paradoxa: international feminist art journal, Vol 30, pp. 33-39.

Turner, M. (2010). ‘Cyborgs and Pleasure: Exploration of Art Works by Liu Shih-Fen, Lin Tsai-Shuan and Kuo Hui-Chan’ in n.paradoxa: international feminist art journal, Vol 25, pp 57-64.

Turner, M. (2009). ‘Contemporary Taiwanese Women’s Art: How Art Can Enrich Lives (non x-rated)’ in Modern Art Asia, Issue 1.

Turner, M. (2009). ‘Visualisation and Globalisation in the Asia-Pacific Region: the Taipei Biennial 1996-2008’ in The International Journal of the Arts in Society, Vol 4, issue 3, pp 291-302.

Turner, M. (2007). ‘Colonial Architecture and Visual Art: A Case Study of the Exhibition, Sweet and Sour Yeast, in Taiwan in 2000-2001’, INFERNO: Journal of Art History. The University of St Andrews. Vol XI, ISSN 1355-5596, pp 63-72.

C.專書章節與專文 Book Chapters

陳明惠 (2014)。〈當代藝術中的身體與再現〉,林明賢主編,《台灣報到:2014台灣美術 雙年展-藝術論壇論文集》,台中:國立台灣美術館,2014年12月,91-113頁。

Turner, M. (2014). ‘Whose Cosmopolitanism? Globalisation, Taipei Biennial and Taiwan’s Presence at the First Asia Triennial Manchester’ in Kennedy, B., Mitha, A. and Leon Wainwright (eds). Triennial City. Manchester: Cornerhouse, pp. 162-179.

陳明惠 (2014)。〈當代藝術中的身體與再現〉,林明賢主編,《台灣報到:2014台灣美術雙年展-藝術論壇論文集》,台中:國立台灣美術館,91-113頁。

陳明惠 (2013)。〈音樂性、物件、新山水:陳艷淑作品中之象徵與詩意〉, 《Sweet.Box 蘇信義&陳艷淑創作研究展》,展覽畫冊,高雄市立美術館,22- 27頁。

陳明惠 (2012)。〈電子人、身體與歡愉:由數位藝術思考〉,林珮淳主編,《台 灣數位藝術e檔案》。台北:藝術家出版社,108-117頁。

陳明惠 (2012)。〈台灣數位藝術脈流計劃-脈流貳:「未來之身」〉,《建國一百 年台灣數位藝術脈流計劃-脈波壹:「未來之身」數位藝術展》。新竹:台灣科 技藝術教育協會,26-37頁。

陳明惠 (2011)。〈性別與政治:西方女性現代藝術中的一些重要課題〉,黃雅倩等人主編《西方女性研究》。北京:人民大學出版社,164-182頁。

陳明惠 (2010)。〈電子人、身體與歡愉:由數位藝術思考〉,《台灣數位藝術脈流計劃-脈波壹:「身體.性別.科技」數位藝術展》。新竹:台灣科技藝術教育協會,26-37頁。

Turner, M. (2010). ‘11-01 Women in the Arts: An Overview’ in O’Connor, Karen (ed). Gender and Women’s Leadership. London: Sage Publications, pp 891-897.

陳明惠 (2009)。〈飲食文化與性別政治之過渡:鄧文貞之繪畫與纖維藝術〉,《悍圖社聯展畫冊》。北京:大未來畫廊藝術有限公司,122-133頁。

陳明惠 (2008)。〈心鏡花園:一場古典與現代的華麗交會〉,《花草.映:陳豔淑作品集》。高雄:新思惟人文空間,5-16頁。

Turner, M. (2008). ‘Visualising Hybridised Culture and Colonial Heritage: Deng Wen-Jeng’s Imagination of Sexuality and Body’ in New Asian Imaginations. Singapore: Nanyang Academy of Fine Arts, pp 243-252.

Turner, M. (2008). ‘An Interconnection between Classics and Modernity’ in Flora of Reflection: Cheng Yen-Shu’s Art. Exhibition Catalogue. Kaohsiung: Since Well Humanistic Gallery, pp 20-27.

Turner, M. (2006). ‘Contemporary Taiwanese Women’s Arts: Curating a Movement into Art’ inthe International Institute of Asian Study Newsletter. Netherlands: International Institute of Asian Study. No 40, p 18. http://www.iias.nl/nl/40/IIAS_NL40_18.pdf

D.展覽畫冊 Exhibition Catalogues

Turner, M. (2016) ‘About the Exhibition.Bodyscape: Patricia Piccinini’ in Huang, Hsiang and Ming Turner (eds). Bodyscape: Patricia Piccinini (身體風景:派翠西亞.匹斯尼尼). Exhibition Catalogue. Nantou: Yu-Hsiu Cultural Foundation, pp. 11-21.

Turner, M. (2015) ‘Surface Epidermis: Phil Sayers’ in Huang, Peggy (ed). Surface Epidermis: Phil Sayers (表面皮層:英國藝術家費爾.賽耶). Exhibition Catalogue. Kaohsiung: Kaohsiung Museum of Fine Arts. (Published in English and Chinese), pp. 24-57.

Turner, M. and Phil Sayers (2014). Re-inventing the Museum: Changing Places by Phil Sayers (向美術館致敬:英國藝術家Phil Sayers藝術移轉計劃). Exhibition Catalogue. Tainan: B.B.Art. (published in English and Chinese).

Turner, M. (2013). Inconvenient Truth: New Environmentalist Art in Cijin (不便的真相:新環境主義藝術在旗津). Kaohsiung: Taiwan Extra-Patriot Veterans Association. (Published in English and Chinese).

Turner, M. (Ed) (2012). Beautiful Life: Memory and Nostalgia. Exhibition Catalogue. Loughborough: Charnwood Arts.

Turner, M. (Ed) (2010). 0&1: Cyberspace and the Myth of Gender (0&1:數位空間與性別神話). Exhibition Catalogue. Leicester: De Montfort University. (Published in English and Chinese)

Turner, M., Smart, G. and Bostock, S. (Eds) (2005). Careers in Art History, London: Association of Art Historians, 100 pages.

Turner, M (2005). i = ALCHEMISED. Exhibition Catalogue. Nottingham: Surface Gallery.

E.評論文章 Reviews and Articles

陳明惠 (2017) 。〈當代美學中的數位女性主義:林珮淳的夏隆創造計畫系列〉,《藝術家》,第504期,台北:藝術家出版社,430-433頁。

陳明惠(2016)。〈坐擁林木的藝術饗宴:毓繡美術館〉,《art plus》,第58期,台北:藝術地圖,19頁。

Turner, Ming. ‘The Endless Sense of Tranquility’ in a.m.post, July/August 2016, pp. 13-14.

Turner, Ming. ‘Fakeology: Solo exhibition by Liao Chien Chung’ in a.m.post, July/August 2016, p. 13.

陳明惠 (2015)。〈表面皮層:英國藝術家費爾.賽耶〉,《藝術認證》,第63期,高雄:高雄市立美術館,4-9頁。

陳明惠 (2013)。〈後人類慾望:當代藝術中的身體神話〉,《藝術家》,第463 期,台北:藝術家出版社,362-363頁。

陳明惠 (2013)。〈馬戲團世界巡迴展最終站:李小鏡藝術中的神話性〉,《藝術 收藏+設計》,第75期,台北:藝術家出版社,108-109頁。

陳明惠 (2013)。〈毒劇二部曲:南倫敦畫廊推出寶琳.包德禮與雷納特.羅倫佐個展〉,《藝術家》,第453期,台北:藝術家出版社,242-243頁。

陳明惠 (2013)。〈藝術中的變裝性與性別觀:英國當代藝術家葛雷森.派里 〉,《藝術家》,第453期,台北:藝術家出版社,238-241頁。

陳明惠 (2013)。〈不便之真相:新環境主義藝術在旗津〉,《藝術家》,第452期,台北:藝術家出版社,366-367頁。

陳明惠 (2012)。〈身體做為性別辯證之場域:英國藝術家費爾.賽耶的變裝與攝影藝術〉,《藝術家》,第447期,台北:藝術家出版社,266-273頁。

陳明惠 (2012)。〈美麗人生:記憶與懷舊-台灣英國交流展〉,《藝術家》,第443期,台北:藝術家出版社,324-327頁。

陳明惠 (2012)。〈邊緣的愛:歐洲現代與當代藝術中的同志情慾〉,《藝術家》,第442期,台北:藝術家出版社,196-199頁。

陳明惠 (2012)。〈全球最大的藝術嘉年華-2012年倫敦文化奧運節慶〉,《藝術家》,第441期,台北:藝術家出版社,206-207頁。

陳明惠 (2011)。〈脈波貳:未來之身-台灣數位藝術脈流計劃〉,《藝術家》,第438期,台北:藝術家出版社,258-261頁。

陳明惠 (2011)。〈窺視與性別議題的探討:挪威當代藝術家安.蘭的扮裝創作〉,《藝術家》,第435期,台北:藝術家出版社,232-237頁。

陳明惠 (2011)。〈超越人性與獸性之邊界:李小鏡藝術作品之混雜與變形特質〉,《藝術家》,第432期,台北:藝術家出版社,194-199頁。

陳明惠 (2011)。〈擬皮層與超宗教:林珮淳的2010-11年《夏娃系列》〉,《藝術家》,第430期,台北:藝術家出版社,224-227頁。

陳明惠 (2011)。〈電子人、身體與歡愉:台灣數位藝術脈流計劃-脈波壹:身體、性別、科技〉,《藝術家》,第428期,台北:藝術家出版社,293-297頁。

陳明惠 (2010)。〈高更:神話的創造者〉,《藝術家》,第426期,台北:藝術家出版社,296-305頁。

陳明惠 (2010)。〈誰的地圖藝術家的新地圖〉,《藝術家》,第423 期,台北:藝術家出版社,192-194頁。

陳明惠 (2010)。〈重新畫分的世界地圖。諾丁漢當代館推出「不平均地理:藝術與全球化」〉,《藝術家》,第421期,台北:藝術家出版社,276-279頁。

陳明惠 (2010)。〈數位符號與性別密碼:中國重慶“0 & 1”展〉,《藝術家》,第421期,台北:藝術家出版社,254-257頁。

Turner, M. (2009). ‘Between Sexuality and Desire: Liu Shih-Fen’s Art and the Imaginary World’ in C Arts: Asian Contemporary Art and Culture. Singapore: United Univers Publishing, Vol 9, pp 22-25.

Turner, M. (2008). ‘Exhibition Review - The Real Thing: Contemporary Art from China’ in The Art Book, London: Blackwell Publishers, Vol 15, No 3, pp 14-15.

Turner, M. (2007). ‘Toward a New Age of Asian Art’ in the Association of Art Historians Bulletin. London: Association of Art Historians. No 95, p 7

F.國際學術研討會論文發表 International Conference Presentations

Ming Turner (2017). ‘The Post-human body: Wu Tzu-Ning’s ‘Incubation: Born beyond the Womb’, 2017 Association of Art Historians Annual Conference. Loughborough University, UK, 7-9 April 2017.

Ming Turner (2016). ‘Patricia Piccinini: Imaginative Creatures and the Hybridised Body’, The 3rd ISAT: Collision, Collaboration and the Future of Artsci. National Cheng Kung University, Tainan, Taiwan, 14-17 November 2016.

Ting-Yi Yu, Pei-Shan Huang and Ming Turner (2016). ‘Digital Image Arts: Conversion of Landscape’, The 3rd ISAT: Collision, Collaboration and the Future of Artsci. National Cheng Kung University, Tainan, Taiwan, 14-17 November 2016.

Ming Turner (2016). ‘The Interdisciplinary Nature of the Collaboration between Art and Science’, The 10th International Symposium of Research Institute of Korean Dance. Hanyang University, Seoul, South Korea, 5 November 2016.

Krisaya Luenganantakul and Ming Turner (2016). ‘Vegetable Fiber Molds for Slip Casting in Ceramic Process for Culture of Innovation: Case Studies of Omur Tokgoz, Hitomi Igarashi, and Aaron Dunkerton’, 2016 International Service Innovation Design Conference (2016 ISIDC). Chiang Mai, Thailand, 1-5 November 2016.

Sebastian Bayona and Ming Turner (2015). ‘The Production of Cultural Value; The Process of Valorisation on the Making of a Contemporary Art Exhibition’, Asian Conference of Arts and Humanities, ACAH2015. Osaka, Japan, 2-5 April 2015.

Ming-Shan Wu and Ming Turner (2015). ‘Between Authority and Alternative: The Development of Alternative Art Space in Tainan, Taiwan’, Asian Conference of Arts and Humanities, ACAH2015. Osaka, Japan, 2-5 April 2015.

Tzu-Chun Chiu and Ming Turner (2014). ‘Art Meets Science: The Interdisciplinary Collaboration of Bioart Practice’, 2014 International Conference of Culture & Creativity (ICCC). NCKU, Tainan, Taiwan, 3-5 December 2014.

Tzu-Chun Chiu and Ming Turner (2014). ‘Queering Popular Culture: A Cultural Studies Approach Towards Recent Television Series in Japan and Taiwan’, 2014 International Communication Association (ICA) Regional Conference. Queensland University of Technology, Brisbane, Australia, 1-3, October 2014.

Turner, M. (2014). ‘The Role of Wu Mali and Social Engagement’, Contemporary Art, Curating and Social Engagement in Twenty-first Century China International Symposium. Rockbund Art Museum, Shanghai, China, 27 November 2014.

陳明惠 (2014)。〈當代藝術中的身體與再現〉,《台灣報到-2014台灣美術雙年展》。台中:國立台灣美術館,2014年10月26日。

Turner, M and Beccy Kennedy (2014). ‘Pop Up Republics’, ASIA TRIENNIAL MANCHESTER SYMPOSIUM 2014 ?Conflict, Compassion, Resolution?. Imperial War Museum North, 20 November 2014.

Turner, M. (2014). ‘Post-humanist Desire: Visualising Cyborgs and the Hybridised Body’, Curating Art History?: Dialogues between museum professionals and academics. The University of Birmingham, 7-8 May 2014.

Turner, M. (2013). ‘Digitality and Visuality of Nostalgia: “Trans-ideology”, a Film Festival’, The 3rd International Conference of Culture and Creativity. National Cheng Kung University, 13-14 December 2013.

Turner, M. (2013). ‘Issues of Memory and Nostalgia in Contemporary Art’, 2013 International Conference: Migrants and Their Memories. National Sun Yat-sen University, 4-5 November 2013.

Turner, M. (2013). ‘Visualising the Contradictory Presence of Taiwanese Culture: Wu Tien-Chang’s Sense of Nostalgia and Contemporary Art’, East Asian Societies in Transition: Challenges and Connections. The University of Nottingham, 5-7 September 2013.

Turner, M. (2013). ‘Between Human and Beast: Hybridisation and Transformation in Daniel Lee’s Art’, The Eighth International Convention of Asia Scholars (ICAS 8). Macao, China, 24-27 June 2013.

陳明惠 (2013)。〈身體與性別辯證:英國藝術家費爾.塞耶 Phil Sayers的變裝與藝術〉,《文化研究協會年會》。台北:國立台灣師範大學,2013年1月5-6日。

Turner, M. (2012). ‘Quasi-skin and Post-human: Lin Pey Chwen's Eve Clone series 2010-2011’, Cultural Translation and East Asia: Film, Literature and Art. Bangnor University, UK, 7-8 September 2012.

Turner, M. (2012). ‘Beautiful Life: a Curatorial Project on Visualising Diasporic Identities and Nostalgia in a Globalizing Age’, Globalizing Cultures and Identities: Sport, Lifestyle, Heritage. Manchester Metropolitan University, 5-7 July 2012.

Turner, M. (2010). ‘A Personal Journey to a PhD: Cultural Studies in Creative Art and Design’, Keynote Speech, The Silent Language: Culture in Creative Research. De Montfort University, 17 March 2010.

Turner, M. (2010). ‘Visualisation and Globalisation: Analyses of the Taipei Biennial from 1998 to 2008’, 5th International Forum of Sinology. China: Exposed Imposed Proposed. Portuguese Catholic University, Lisbon, Portugal, 26-28 February 2010.

Turner, M. (2009). ‘Visualisation and Globalisation: The Taipei Biennial 1998-2008’, International Conference on the Arts in Society, organised by Common Ground, based at the University of Illinois Research Park, USA. Palazzo Cavalli Franchetti, Italy, 28-31 July 2009.

Turner, M. (2008). ‘Visualisation and Globalisation: Some Cultural Considerations for the Taipei Biennial’, Post-Olympic China: Globalisation and Sustainable Development after Three Decades of Reform. The University of Nottingham, 19-21 November 2008.

Turner, M. (2008). ‘Visualising Hybridised Culture and Colonial Heritage: Deng Wen-Jeng’s Imagination of Sexuality and Body’, New Asian Imaginations Symposium. Nanyang Academy of Fine Arts, Singapore, 1-2 August 2008.

Turner, M. (2007). ‘Re-consider Subaltern-ness: 228 Art Exhibition in Taiwan’, The Dynamics of Transformation in East Asia. The University of Edinburgh, 24-26 October 2007.

Turner, M. (2007). ‘Cyberfeminism and Contemporary Visual Art – From My Fingers: Living in the Technological Age’, BACS Annual Conference: China: Evolution or Revolution. The University of Manchester, 6-7 September 2007.

Turner, M. (2007). ‘Cyberspace, Identity Discourses and Contemporary Art: The First International Women's Art Festival in Taiwan in 2003’, The 5th International Convention of Asia Scholars: Sharing a Future in Asia. Kuala Lumpur, Malaysia, 2-5 August 2007.

Turner, M. (2007). ‘Postcolonial Culture and Colonial Heritage: Theoretical Concerns of a Curatorial Exhibition’, Cultural Studies Now: An International Conference. University of East London, 19-22 July 2007.

Turner, M. (2007). ‘Post-colonialism and Globalisation in the Asia-Pacific Region: The Taipei Biennial’, Everyday Life in the Global City. Manchester Metropolitan University, 9-11 July, 2007.

Turner, M. (2007). ‘Colonial Architecture, Visual Art and Gender’, After the Fall: Sex, Gender &Power.University of Toronto, Canada, 9-10 February 2007.

Turner, M. (2006). ‘Taipei Biennial 1996: Visualisation and Globalisation’, Art as ‘Reverse Colonialism’. Tate Liverpool, 3 November 2006.

Turner, M. (2006). ‘The Quest for Identity: Taiwanese Women’s Art in the post-Martial Law Era’, China: Continuity and Change. Oxford University, 14-15 September, 2006.

Turner, M. (2006). ‘Sexuality & Power: Women Artists in the Taiwan’, Thinking Women: Education, Culture and Society. University of Durham, 1-3 September 2006.

Turner, M. (2006). ‘Sweet & Sour Yeast: a Postcolonial Feminist Investigation of a Women’s Art Project’, Art and the Senses. University of East Anglia, Norwich, 20-21 July 2006.

Turner, M. (2006). ‘The Forgotten Women: Taiwanese Women’s Arts Since 1996’, The College Art Association Annual Conference 2006. Boston, USA, 22-25 February 2006.

Turner, M. (2005). ‘Taiwanese Women’s Contemporary Fabric Art: a Review of BuBaoFu in 2003’, Women’s History Network. Southampton Solent University, 2-4 September 2005.

Turner, M. (2004). ‘Wondering in the Mass of Chaotic Consciousness’, Association of Art Historians 2004 Summer School. University of Plymouth, 26-27 July 2004.

G.受邀演講 Guest Lecturing and Talks






台灣文學館,台南。「香港藝行@香港 文化系列講座」,主題:「香港PMQ元創方的文創經驗」,引言人,2015年10月24日。


國立台北教育大學。講題:「當代展覽策劃中的身體與性別」,2014年12月12 日。


Guest Lecturer. Topic: Gender in Visual Culture and Contemporary Taiwanese Art. National Taiwan University of Arts, Taipei, 2 Oct 2014.

台灣女性藝術學會,台北。講題:「女性藝術中的生命圖像與社會議題」,2014 年9月14日。

高雄市立美術館,高雄。講題:「性別與身體:當代藝術中的重要課題」,2014 年7月6日。


台南應用科技大學,藝術學院美術系。講題:「當代藝術策展實踐」,2013年5 月22日。




‘Contemporary Art on China and Southeast Asia. Richmond University, London, 20 March 2012.

‘Contemporary Art in China and Taiwan’. Cultural Exchanges, De Montfort University, 28 February 2012.


‘Introduction to the Art Market in Contemporary East and South East Asia’, Programme Speaker. South Hill Park, Bracknell, 4 April 2009.

‘Impressional Temperature: Cyberspace and Contemporary Taiwanese Women's Art’, Seminar on Taiwan in Comparative Perspective. London School of Economics, 1 November 2007.

‘The Forgotten Women in an Uncertain Entity: 228 Art Exhibition’, Taiwan Studies Seminars. London School of Oriental and African Studies, 7 March 2007.

‘Combining Fine Art Practice with Postgraduate Study in the UK’, ARC Programme Speaker, South Hill Park, Bracknell, 22 May 2007.

H.展覽策劃Curatorial Project as an International Curator

  • 2018年3月15日-4月15日
    The Metamorphosis: Next Art Tainan 2018

  • 2018年2月8日-2018年4月22日
    2018 Round-trip Ticket Tainan-LA: Exhibition of LA Artists, Displaced Landscape

  • 2018年1月13日-2018年2月13日
    Transcending: Between Virtuality and Reality: Solo Exhibition by Deng Wen-Jen

  • 2017年5月5日-6月2日
    Making of Eve Clone – Solo Exhibition by Lin Pey-Chwen

  • 2017年4月7日-4月27日
    Displaced Narratives: Yu-Chen Wang

  • 2016年10月29日-11月12日
    Creative Continuum
    策展團隊:陳明惠、Kevin Ryan、Ashok Mistry

  • 2016年5月21日-9月11日
    Bodyscape: Patricia Piccinini

  • 2016年4月28日-2016年5月22日
    Qu’Ran Chorus: Ane Lan

  • 2016年4月23日-7月31日
    Round-trip Ticket Tainan-LA

  • 2015年6月27日-9月20日
    Surface Epidermis: Contemporary Art by Phil Sayers

  • 2014年9月26日-10月19日
    《The Borderliner-曼特斯特亞洲藝術三年展》The Borderliner, Asian Triennial Manchester 2014
    策展團隊:Beccy Kennedy、Paul Booth、陳明惠

  • 2014年11日8日-12月28日
    《向美術館致敬:英國藝術家Phil Sayers藝術移轉計劃》
    Re-inventing the Museum: Changing Places by Phil Sayers

  • 2013年11月23日-2014年1月12日
    《後人類慾望》Post-humanist Desire

  • 2013年8月5-9日
    《跨意識:鄉愁》Trans-ideology: Nostalgia
    展場:Supermarket Creative Resource Centre, Berlin, Germany

  • 2012年12月7日-2013年1月13日
    Inconvenient Truth: New Environmentalist Art in Cijin

  • 2012年4月7日 – 4月30日:高雄駁二藝術特區
    2011年11月28日 – 2012年1月13日:英國新克里創意藝術中心 Creative Hinckley
    2011年9月10日 – 11月13日:英國南坡公園藝術中心 South Hill Park
    《美麗人生:記憶與懷舊》Beautiful Life: Memory and Nostalgia

  • 2011年11月5-20日
    《台灣數位藝術脈流計畫 - 脈波貳 「未來之身」數位藝術展》

  • 2010年12月17日 –2011年 1月23日
    贊助單位: 文建會、台北市立文化局

  • 2010年4月10日 – 4月22日
    《0&1: 數位空間與性別神話》0&1: Cyberspace and the Myth of Gender

  • 2009年8月8日 與2009年8月25日
    《純粹影展:亞洲中間人》Simply Screen: Inbetweeners of Asia.
    展場:Tranzfabrik (德國柏林)、The Bhavan (英國倫敦)

I.贊助與獎助Scholarships and Awards


科技部研究專題補助,《科技藝術中的性別意識及其策展研究 (K05) 》 (編號:MOST 106-2629-H-006 -001 -MY2)




科技部研究專題補助,《從數位女性主義觀點探討自2000年以來台灣科技藝術中的性別議題 (V07) 》 (編號:105-2629-H-006 -003)




科技部舉辦國際研討會補助,《台灣科技藝術學會第三屆國際學術研討會:「衝突與合作-科技藝術的未來」》(編號:105-2916-I-006 -020 -A1)


文化部視覺藝術類獎助,《表相皮層:英國藝術家費爾.賽耶之當代藝術》策展 (申請單位:國立成功大學創意產業設計研究所)



2014年 - 2016年

英國 Arts & Humanities Research Council, Research Networking Project,台英研究計畫協同主持人 (計畫主持人:Dr Beccy Kennedy, Manchester Metropolitan University)。計畫名稱:Culture, Capital and Communication: Visualising Chinese Borders in the twenty first century (CCC:VCB)










財團法人國家文化藝術基金會,美術類第一期國際交流補助《美麗人生》策展 (申請單位:新濱碼頭藝術學會)




荷蘭萊頓大學(Leiden University)東亞研究中心,台灣訪問學者

2009年 - 2010年


2009年 - 2010年


2008年 - 2010年


2005年 - 2006年

英格蘭藝術理事會,藝術獎助,《i = ALCHEMISED》個展

2004年 - 2006年


2003年 - 2006年








J. 藝術與學術專業經驗 External Professional Services




評審,《想像的風景 II-不朽的追求》(Imaginary Landscape II – Immortal Quest) 國際學生新媒體藝術徵件展,主辦單位:台北當代藝術館、瑞士Ecole Professionnelle des Arts Contemporains

2009年 - 2010年


2008年 - 2009年

審稿委員,《E-pisteme, Postgraduate E-journal in Humanities, Social Sciences and the Arts》,英國 Newcastle University

2002年 - 2003年


K.國際學術研討會策劃Conference Session Convenor

6-8 April 2017

Session Convenor. ‘Visualising the Post-human, Cyborgs and Cybersexuality in Contemporary Art’, Association of Art Historians Annual Conference, Loughborough University, UK

14-17 November 2016

Conference Organiser and Chair. The 3rd ISAT: Collision, Collaboration and the Future of Artsci. National Cheng Kung University, Taiwan.

1-3 November 2016

Program Committee Chair. ADADA 2016: The 14th International Conference for Asia Digital Art and Design. Hotel Santika Seminyak Bali, Indonesia.

5-6 April 2016

Conference Organiser and Chair. Visualising Chinese Borders. Manchester Metropolitan University, UK.

12-13 September 2016

Conference Organiser and Chair. AHRC Tainan Network meeting; Culture, Capital & Communication: Visualising Chinese Borders in the 21st Century. National Cheng Kung University, Taiwan.

24-27 June 2013

Visualising East Asia: Diasporas and (Post)digital Dialogues’ at The Eighth International Convention of Asia Scholars (ICAS 8). Macao, China. Co-convene with Dr Beccy Kennedy, Manchester Metropolitan University, UK.

12-14 April 2007

Toward A New Age of Asian Art’ at the Association of Art Historians Annual Conference 2007: Contestations. University of Ulster, Belfast.