Ming Turner | Assistant Professor
 

Ming Turner
Email:mingturner@mail.ncku.edu.tw
Tel: (06)-275-7575 ext: 54376

 

•   PhD in Art History and Theory, Loughborough University, UK (2003-2008)
•   MA in Fine Arts. National Kaohsiung Normal University, Taiwan (2001-2003)
•   BA in Fine Arts. National Taiwan Normal University, Taiwan (1997-2001)

 

Experience

•   Assistant Professor, National Cheng Kung University, Institute of Creative Industries Design, Taiwan (Aug 2013 - present)
    Head of Visual Arts, National Cheng Kung University Art Centre (Feb 2015 - present)
•   Postdoctoral Research Fellow, National Chiao Tung University, Research Centre for Humanities and Social Sciences, Taiwan (Jan 2013 – July 2013)
•   Lecturer, De Montfort University, UK (Jan 2009 – Oct 2012)
•   Visiting Faculty, Transart Institute, New York, USA (Aug 2009 – July 2011)
•   Research Assistant, Iris Archive, Loughborough University (Dec 2007 – July 2008)
•   Course Leader, Cornerhouse, Manchester (May 2008 – July 2008

 

•   Contemporary Visual Culture
•   Material Cultural Studies
•   Contemporary Art History and Theory
•   Feminist Art and Theory
•   Postcolonialism
•   Trans-cultural Visual Studies
•   Curation and Exhibition Management

 

 

•   Cultural Studies
•   Contemporary Curation: Theory and Practice
•   Introduction to New Media and Digital Arts

 

A.期刊論文 Journal Essays

Turner, M. (2015). ‘Transforming human and beast: Hybridization and diasporic identities in Daniel Lee’s art’ in Journal of Contemporary Chinese Arts (in progress).

Turner, M. (2014). ‘Post-humanist Desire: Visualizing Cyborgs and the Hybridized Body’ in the International Journal of Cultural and Creative Industries, Vol 1, Issue 3, July 2014, pp. 86-97. http://www.ijcci.net/index.php?option=module&lang=en&task=pageinfo&id=128&index=10

Turner, M. (2014). ‘Digitality and Visuality of Nostalgia: Trans-ideology’ in Else Journal: art, literature, theory, creative media, issue 1, pp. 50-57.

  Turner, M. (2011). ‘Food, Popular Culture and Representation: The Fantasy World Seen Through Deng Wen-Jen’s Eyes’ in Modern Art Asia, Issue 7, Aug 2011, http://modernartasia.com/turner-contemporary-taiwanese-artistst-1/

Turner, M. (2009). ‘Contemporary Taiwanese Women’s Art: How Art Can Enrich Lives (non x-rated)’ in Modern Art Asia, Issue 1, http://modernartasia.com/turner-contemporary-taiwanese-artistst-1/

Turner, M. (2012). ‘Quasi-skin and Post-religion: Lin Pey Chwen’s Eve Clone series, 2010-
11’ in n.paradoxa: international feminist art journal, Vol 30, pp. 33-39.

Turner, M. (2010). ‘Cyborgs and Pleasure: Exploration of Art Works by Liu Shih-Fen, Lin Tsai-Shuan and Kuo Hui-Chan’ in n.paradoxa: international feminist art journal, Vol 25, pp 57-64.

Turner, M. (2009). ‘Visualisation and Globalisation in the Asia-Pacific Region: the Taipei Biennial 1996-2008’ in The International Journal of the Arts in Society, Vol 4, issue 3, pp 291-302.

Turner, M. (2007). ‘Colonial Architecture and Visual Art: A Case Study of the Exhibition, Sweet and Sour Yeast, in Taiwan in 2000-2001’, INFERNO: Journal of Art History. The University of St Andrews. Vol XI, ISSN 1355-5596, pp 63-72.



B.專書章節與專文 Book Chapters

Turner, M. (2014). ‘Whose Cosmopolitanism? Globalisation, Taipei Biennial and Taiwan’s Presence at the First Asia Triennial Manchester’ in Kennedy, B., Mitha, A. and Leon Wainwright (eds). Triennial City. Manchester: Cornerhouse, pp. 162-179.

陳明惠 (2014)。〈當代藝術中的身體與再現〉,林明賢主編,《台灣報到:2014台灣美術雙年展-藝術論壇論文集》,台中:國立台灣美術館,91-113頁。

陳明惠 (2013)。〈音樂性、物件、新山水:陳艷淑作品中之象徵與詩意〉, 《Sweet.Box 蘇信義&陳艷淑創作研究展》,展覽畫冊,高雄市立美術館,22- 27頁。

陳明惠 (2012)。〈電子人、身體與歡愉:由數位藝術思考〉,林珮淳主編,《台 灣數位藝術e檔案》。台北:藝術家出版社,108-117頁。

陳明惠 (2012)。〈台灣數位藝術脈流計劃-脈流貳:「未來之身」〉,《建國一百 年台灣數位藝術脈流計劃-脈波壹:「未來之身」數位藝術展》。新竹:台灣科 技藝術教育協會,26-37頁。

陳明惠 (2011)。〈性別與政治:西方女性現代藝術中的一些重要課題〉,黃雅倩等人主編《西方女性研究》。北京:人民大學出版社,164-182頁。

陳明惠 (2010)。〈電子人、身體與歡愉:由數位藝術思考〉,《台灣數位藝術脈流計劃-脈波壹:「身體.性別.科技」數位藝術展》。新竹:台灣科技藝術教育協會,26-37頁。

Turner, M. (2010). ‘11-01 Women in the Arts: An Overview’ in O’Connor, Karen (ed). Gender and Women’s Leadership. London: Sage Publications, pp 891-897.

陳明惠 (2009)。〈飲食文化與性別政治之過渡:鄧文貞之繪畫與纖維藝術〉,《悍圖社聯展畫冊》。北京:大未來畫廊藝術有限公司,122-133頁。

陳明惠 (2008)。〈心鏡花園:一場古典與現代的華麗交會〉,《花草.映:陳豔淑作品集》。高雄:新思惟人文空間,5-16頁。

Turner, M. (2008). ‘Visualising Hybridised Culture and Colonial Heritage: Deng Wen-Jeng’s Imagination of Sexuality and Body’ in New Asian Imaginations. Singapore: Nanyang Academy of Fine Arts, pp 243-252.

Turner, M. (2008). ‘An Interconnection between Classics and Modernity’ in Flora of Reflection: Cheng Yen-Shu’s Art. Exhibition Catalogue. Kaohsiung: Since Well Humanistic Gallery, pp 20-27.

Turner, M. (2006). ‘Contemporary Taiwanese Women’s Arts: Curating a Movement into Art’ inthe International Institute of Asian Study Newsletter. Netherlands: International Institute of Asian Study. No 40, p 18. http://www.iias.nl/nl/40/IIAS_NL40_18.pdf


C.專書與展覽畫冊 Books and Exhibition Catalogues

Turner, M. and Outi Remes (eds) (2015). Crossing Borders: Transition and Nostalgia in Contemporary Art (跨界:當代藝術中的游轉與鄉愁). Taipei: Artouch Publishing (in progress). (published in English and Chinese).

Turner, M. and Phil Sayers (2014). Re-inventing the Museum: Changing Places by Phil Sayers (向美術館致敬:英國藝術家Phil Sayers藝術移轉計劃). Exhibition Catalogue. Tainan: B.B.Art. (published in English and Chinese).

Turner, M. (2013). Inconvenient Truth: New Environmentalist Art in Cijin (不便的真相:新環境主義藝術在旗津). Kaohsiung: Taiwan Extra-Patriot Veterans Association. (Published in English and Chinese). http://forums.charnwoodarts.com/files/Cijin_catalogue.pdf

Turner, M. (Ed) (2012). Beautiful Life: Memory and Nostalgia. Exhibition Catalogue. Loughborough: Charnwood Arts. www.beautifullifeexhibition.com/Beautiful%20Life%20Catalogue.pdf

Turner, M. (Ed) (2010). 0&1: Cyberspace and the Myth of Gender (0&1:數位空間與性別神話). Exhibition Catalogue. Leicester: De Montfort University. (Published in English and Chinese)

Turner, M (2008). Visualising Culture and Gender: Postcolonial Feminist Analyses of Taiwanese Women’s Exhibitions, 1996-2003. PhD Thesis, Loughborough University, 408 pages. https://dspace.lboro.ac.uk/dspace-jspui/handle/2134/4061

Turner, M., Smart, G. and Bostock, S. (Eds) (2005). Careers in Art History, London: Association of Art Historians, 100 pages.

Turner, M (2005). i = ALCHEMISED. Exhibition Catalogue. Nottingham: Surface Gallery.

D.評論文章 Reviews and Articles

陳明惠 (2014)。〈女性藝術:女性生命圖像與社會議題〉,《藝術認證》,第56 期,高雄:高雄市立美術館,50-55頁。

陳明惠 (2013)。〈後人類慾望:當代藝術中的身體神話〉,《藝術家》,第463 期,台北:藝術家出版社,362-363頁。

陳明惠 (2013)。〈馬戲團世界巡迴展最終站:李小鏡藝術中的神話性〉,《藝術 收藏+設計》,第75期,台北:藝術家出版社,108-109頁。

陳明惠 (2013)。〈毒劇二部曲:南倫敦畫廊推出寶琳.包德禮與雷納特.羅倫佐個展〉,《藝術家》,第453期,台北:藝術家出版社,242-243頁。

陳明惠 (2013)。〈藝術中的變裝性與性別觀:英國當代藝術家葛雷森.派里 〉,《藝術家》,第453期,台北:藝術家出版社,238-241頁。

陳明惠 (2013)。〈不便之真相:新環境主義藝術在旗津〉,《藝術家》,第452期,台北:藝術家出版社,366-367頁。

陳明惠 (2012)。〈身體做為性別辯證之場域:英國藝術家費爾.賽耶的變裝與攝影藝術〉,《藝術家》,第447期,台北:藝術家出版社,266-273頁。

陳明惠 (2012)。〈美麗人生:記憶與懷舊-台灣英國交流展〉,《藝術家》,第443期,台北:藝術家出版社,324-327頁。

陳明惠 (2012)。〈邊緣的愛:歐洲現代與當代藝術中的同志情慾〉,《藝術家》,第442期,台北:藝術家出版社,196-199頁。

陳明惠 (2012)。〈全球最大的藝術嘉年華-2012年倫敦文化奧運節慶〉,《藝術家》,第441期,台北:藝術家出版社,206-207頁。

陳明惠 (2011)。〈脈波貳:未來之身-台灣數位藝術脈流計劃〉,《藝術家》,第438期,台北:藝術家出版社,258-261頁。

陳明惠 (2011)。〈窺視與性別議題的探討:挪威當代藝術家安.蘭的扮裝創作〉,《藝術家》,第435期,台北:藝術家出版社,232-237頁。

陳明惠 (2011)。〈超越人性與獸性之邊界:李小鏡藝術作品之混雜與變形特質〉,《藝術家》,第432期,台北:藝術家出版社,194-199頁。

陳明惠 (2011)。〈擬皮層與超宗教:林珮淳的2010-11年《夏娃系列》〉,《藝術家》,第430期,台北:藝術家出版社,224-227頁。

陳明惠 (2011)。〈電子人、身體與歡愉:台灣數位藝術脈流計劃-脈波壹:身體、性別、科技〉,《藝術家》,第428期,台北:藝術家出版社,293-297頁。

陳明惠 (2010)。〈高更:神話的創造者〉,《藝術家》,第426期,台北:藝術家出版社,296-305頁。

陳明惠 (2010)。〈誰的地圖藝術家的新地圖〉,《藝術家》,第423 期,台北:藝術家出版社,192-194頁。

陳明惠 (2010)。〈重新畫分的世界地圖。諾丁漢當代館推出「不平均地理:藝術與全球化」〉,《藝術家》,第421期,台北:藝術家出版社,276-279頁。

陳明惠 (2010)。〈數位符號與性別密碼:中國重慶“0 & 1”展〉,《藝術家》,第421期,台北:藝術家出版社,254-257頁。

Turner, M. (2009). ‘Between Sexuality and Desire: Liu Shih-Fen’s Art and the Imaginary World’ in C Arts: Asian Contemporary Art and Culture. Singapore: United Univers Publishing, Vol 9, pp 22-25.

Turner, M. (2008). ‘Exhibition Review - The Real Thing: Contemporary Art from China’ in The Art Book, London: Blackwell Publishers, Vol 15, No 3, pp 14-15.

Turner, M. (2007). ‘Toward a New Age of Asian Art’ in the Association of Art Historians Bulletin. London: Association of Art Historians. No 95, p 7

E.國際學術研討會論文發表 International Conference Presentations

Turner, M. (2014). ‘The Role of Wu Mali and Social Engagement’, Contemporary Art, Curating and Social Engagement in Twenty-first Century China International Symposium. Rockbund Art Museum, Shanghai, China, 27 November 2014.

陳明惠 (2014)。〈當代藝術中的身體與再現〉,《台灣報到-2014台灣美術雙年展》。台中:國立台灣美術館,2014年10月26日。

Turner, M and Beccy Kennedy (2014). ‘Pop Up Republics’, ASIA TRIENNIAL MANCHESTER SYMPOSIUM 2014 ʻConflict, Compassion, Resolutionʼ. Imperial War Museum North, 20 November 2014.

Turner, M. (2014). ‘Post-humanist Desire: Visualising Cyborgs and the Hybridised Body’, Curating Art History?: Dialogues between museum professionals and academics. The University of Birmingham, 7-8 May 2014.

Turner, M. (2013). ‘Digitality and Visuality of Nostalgia: “Trans-ideology”, a Film Festival’, The 3rd International Conference of Culture and Creativity. National Cheng Kung University, 13-14 December 2013.

Turner, M. (2013). ‘Issues of Memory and Nostalgia in Contemporary Art’, 2013 International Conference: Migrants and Their Memories. National Sun Yat-sen University, 4-5 November 2013.

Turner, M. (2013). ‘Visualising the Contradictory Presence of Taiwanese Culture: Wu Tien-Chang’s Sense of Nostalgia and Contemporary Art’, East Asian Societies in Transition: Challenges and Connections. The University of Nottingham, 5-7 September 2013.

Turner, M. (2013). ‘Between Human and Beast: Hybridisation and Transformation in Daniel Lee’s Art’, The Eighth International Convention of Asia Scholars (ICAS 8). Macao, China, 24-27 June 2013.

陳明惠 (2013)。〈身體與性別辯證:英國藝術家費爾.塞耶 Phil Sayers的變裝與藝術〉,《文化研究協會年會》。台北:國立台灣師範大學,2013年1月5-6日。

Turner, M. (2012). ‘Quasi-skin and Post-human: Lin Pey Chwen's Eve Clone series 2010-2011’, Cultural Translation and East Asia: Film, Literature and Art. Bangnor University, UK, 7-8 September 2012.

Turner, M. (2012). ‘Beautiful Life: a Curatorial Project on Visualising Diasporic Identities and Nostalgia in a Globalizing Age’, Globalizing Cultures and Identities: Sport, Lifestyle, Heritage. Manchester Metropolitan University, 5-7 July 2012.

Turner, M. (2010). ‘A Personal Journey to a PhD: Cultural Studies in Creative Art and Design’, Keynote Speech, The Silent Language: Culture in Creative Research. De Montfort University, 17 March 2010.

Turner, M. (2010). ‘Visualisation and Globalisation: Analyses of the Taipei Biennial from 1998 to 2008’, 5th International Forum of Sinology. China: Exposed Imposed Proposed. Portuguese Catholic University, Lisbon, Portugal, 26-28 February 2010.

Turner, M. (2009). ‘Visualisation and Globalisation: The Taipei Biennial 1998-2008’, International Conference on the Arts in Society, organised by Common Ground, based at the University of Illinois Research Park, USA. Palazzo Cavalli Franchetti, Italy, 28-31 July 2009.

Turner, M. (2008). ‘Visualisation and Globalisation: Some Cultural Considerations for the Taipei Biennial’, Post-Olympic China: Globalisation and Sustainable Development after Three Decades of Reform. The University of Nottingham, 19-21 November 2008.

Turner, M. (2008). ‘Visualising Hybridised Culture and Colonial Heritage: Deng Wen-Jeng’s Imagination of Sexuality and Body’, New Asian Imaginations Symposium. Nanyang Academy of Fine Arts, Singapore, 1-2 August 2008.

Turner, M. (2007). ‘Re-consider Subaltern-ness: 228 Art Exhibition in Taiwan’, The Dynamics of Transformation in East Asia. The University of Edinburgh, 24-26 October 2007.

Turner, M. (2007). ‘Cyberfeminism and Contemporary Visual Art – From My Fingers: Living in the Technological Age’, BACS Annual Conference: China: Evolution or Revolution. The University of Manchester, 6-7 September 2007.

Turner, M. (2007). ‘Cyberspace, Identity Discourses and Contemporary Art: The First International Women's Art Festival in Taiwan in 2003’, The 5th International Convention of Asia Scholars: Sharing a Future in Asia. Kuala Lumpur, Malaysia, 2-5 August 2007.

Turner, M. (2007). ‘Postcolonial Culture and Colonial Heritage: Theoretical Concerns of a Curatorial Exhibition’, Cultural Studies Now: An International Conference. University of East London, 19-22 July 2007.

Turner, M. (2007). ‘Post-colonialism and Globalisation in the Asia-Pacific Region: The Taipei Biennial’, Everyday Life in the Global City. Manchester Metropolitan University, 9-11 July, 2007.

Turner, M. (2007). ‘Colonial Architecture, Visual Art and Gender’, After the Fall: Sex, Gender &Power.University of Toronto, Canada, 9-10 February 2007.

Turner, M. (2006). ‘Taipei Biennial 1996: Visualisation and Globalisation’, Art as ‘Reverse Colonialism’. Tate Liverpool, 3 November 2006.

Turner, M. (2006). ‘The Quest for Identity: Taiwanese Women’s Art in the post-Martial Law Era’, China: Continuity and Change. Oxford University, 14-15 September, 2006.

Turner, M. (2006). ‘Sexuality & Power: Women Artists in the Taiwan’, Thinking Women: Education, Culture and Society. University of Durham, 1-3 September 2006.

Turner, M. (2006). ‘Sweet & Sour Yeast: a Postcolonial Feminist Investigation of a Women’s Art Project’, Art and the Senses. University of East Anglia, Norwich, 20-21 July 2006.

Turner, M. (2006). ‘The Forgotten Women: Taiwanese Women’s Arts Since 1996’, The College Art Association Annual Conference 2006. Boston, USA, 22-25 February 2006.

Turner, M. (2005). ‘Taiwanese Women’s Contemporary Fabric Art: a Review of BuBaoFu in 2003’, Women’s History Network. Southampton Solent University, 2-4 September 2005.

Turner, M. (2004). ‘Wondering in the Mass of Chaotic Consciousness’, Association of Art Historians 2004 Summer School. University of Plymouth, 26-27 July 2004.

F.受邀演講 Guest Lecturing and Talks

國立台北教育大學。講題:「當代展覽策劃中的身體與性別」,2014年12月12 日。

國立中央大學。講題:「當代展覽策劃:理論與實踐」,2014年11月14日。

Guest Lecturer. Topic: Gender in Visual Culture and Contemporary Taiwanese Art. National Taiwan University of Arts, Taipei, 2 Oct 2014.

台灣女性藝術學會,台北。講題:「女性藝術中的生命圖像與社會議題」,2014 年9月14日。

高雄市立美術館,高雄。講題:「性別與身體:當代藝術中的重要課題」,2014 年7月6日。

弔詭畫廊,高雄。講題:「游離性之弔詭」,2014年3月8日。

台南應用科技大學,藝術學院美術系。講題:「當代藝術策展實踐」,2013年5 月22日。

國立高雄應用科技大學,財富與稅務管理系暨研究所。講題:「藝術品鑑價」,2013年5月15日。

台南應用科技大學,藝術學院美術系。講題:「當代藝術策展實踐」,2013年5月8日。

台北當代藝術館。講題:「後人類克隆、性別與身體」,2012年12月15日。

‘Contemporary Art on China and Southeast Asia. Richmond University, London, 20 March 2012.

‘Contemporary Art in China and Taiwan’. Cultural Exchanges, De Montfort University, 28 February 2012.

關渡美術館,台北。講題:「美麗人生:記憶與懷舊」,2011年9月28日。

‘Introduction to the Art Market in Contemporary East and South East Asia’, Programme Speaker. South Hill Park, Bracknell, 4 April 2009.

‘Impressional Temperature: Cyberspace and Contemporary Taiwanese Women's Art’, Seminar on Taiwan in Comparative Perspective. London School of Economics, 1 November 2007.

‘The Forgotten Women in an Uncertain Entity: 228 Art Exhibition’, Taiwan Studies Seminars. London School of Oriental and African Studies, 7 March 2007.

‘Combining Fine Art Practice with Postgraduate Study in the UK’, ARC Programme Speaker, South Hill Park, Bracknell, 22 May 2007.

G.展覽策劃Curatorial Project as an International Curator

  • 27 June 2015 – 20 Sept 2015, Kaohsiung Museum of Fine Arts, Taiwan
    Surface Epidermis: Contemporary Art by Phil Sayers
    Funded by the Ministry of Culture, Taiwan
    Curated by Ming Turner

  • 26 Sept 2014 – 19 Oct 2014, Venue: Imperial War Museum, Manchester, UK
    The Borderliner, Asian Triennial Manchester 2014
    Organised by Manchester Metropolitan University
    Co-curated by Beccy Kennedy, Paul Booth, Ming Turner

  • 8 Nov 2014 – 28 Dec 2014, B.B.Art, Tainan, Taiwan
    Re-inventing the Museum: Changing Places by Phil Sayers
    Funded by Tainan City Government and National Cheng Kung University
    Curated by Ming Turner

  • 23 Nov 2013 – 12 Jan 2014, Museum of Contemporary Art, Taipei
    Post-humanist Desire
    Funded by Taipei City Government
    Curated by Ming Turner
    https://www.youtube.com/watch?v=HRwHKgG2ZG0

  • 5-9 Aug 2013, Supermarket Creative Resource Centre, Berlin, Germany
    Trans-ideology: Nostalgia
    Organised by Transart Institute, New York
    Curated by Ming Turner
    http://www.transart.org/transartfest/trans-ideology-nostalgia-short-film-festival/  

  • 7-23 Dec 2012 – 13 Jan 2013, Cijin, Kaohsiung City, Taiwan
    Inconvenient Truth: New Environmentalist Art in Cijin.
    In partnership with Taiwan Extra-Patriot Veterans Association. Funded by Ministry of Culture, Taiwan and Kaohsiung City Government, Taiwan.
    Curated by Ming Turner
    http://forums.charnwoodarts.com/files/Cijin_catalogue.pdf

  • 9 Sep – 13 Nov 2011, South Hill Park, Bracknell, UK
    28 Nov 2011 – 13 Jan 2012, Creative Hinkley, Leicestershire, UK
    7 - 29 April 2012, The Pier-2 Art Centre, Kaohsiung, Taiwan
    Beautiful Life: Memory and Nostalgia.
    In partnership with Sin Pin Pier Art Space, Charnwood Arts and South Hill Park.
    Funded by the Arts Council England, the Contemporary Art Foundation (Taiwan), The National Culture and Arts Foundation (Taiwan) and De Montfort University.
    Curated by Ming Turner
    www.beautifullifeexhibition.com/

  • 5-20 Nov 2011, Huashan Creative Park, Taipei, Taiwan
    Taiwan Digital Art Pulse Stream Plan: The Second Phase ‘Next Body’ Digital Art Exhibition
    Funded by the Council for Cultural Affairs, Taiwan.
    Co-curated by Ming Turner, Lin Pey Chwen, Luo Lizhen, Chen Champion, Chiu Chih-Yung and Tseng Yu-Chuan.

    17 Dec 2010 – 23 Jan 2011, Digital Art Centre Taipei, Taiwan
    Taiwan Digital Art Pulse Stream Plan: The First Phase ‘Body, Gender, Technology’ Digital Art Exhibition.
    Funded by the Taipei City Government and the Council for Cultural Affairs (Taiwan).
    Co-curated by Ming Turner, Lin Pey Chwen, Liao Hsin-Tien, Luo Lizhen and Tseng Yu-Chuan.
    www.dac.tw/event/stream/

  • 10 April – 25 April 2010, 501 Contemporary Art Centre, Chongqing, China
    0&1: Cyberspace and the Myth of Gender.
    In partnership with Charnwood Arts in Loughborough.
    Funded by the Arts Council England, the British Council and the Contemporary Art Foundation (Taiwan).
    Curated by Ming Turner

  • 8 August 2009, Tranzfabrik, Berlin, Germany
    25 August 2009, The Bhavan, London, UK
    Simply Screen: Inbetweeners of Asia.
    Organised by Transart Institute, New York
    Curated by Ming Turner

H.贊助與獎助Scholarships and Awards

2015

Grants for Visual Arts, Ministry of Culture, Taiwan (Surface Epidermis project)

2014

Grants for Newly-recruited Excellent Academics, Ministry of Science and Technology, Taiwan

2014-2016

Co-investigator, Arts & Humanities Research Council, Research Networking Project (Principal Investigator: Dr Beccy Kennedy, Manchester Metropolitan University). Project Title: Culture, Capital and Communication: Visualising Chinese Borders in the twenty first century (CCC:VCB)

2013

Grants for Art Criticism and Writing, National Culture and Arts Foundation, Taiwan

2013

Attending Academic Conferences Grant, National Science Council, Taiwan

2012

Grants for Visual Arts, Ministry of Culture, Taiwan, and Kaohsiung City Government, Taiwan (Inconvenient Truth project)

2011

Grants for the Arts, Arts Council England, UK (Beautiful Life project)

2011

Grants for the Arts, National Culture and Arts Foundation, Taiwan (Beautiful Life project)

2011

Grants, The Contemporary Art Foundation, Taiwan (Beautiful Life project)

2010

Research Grant for a Visiting Scholar in Taiwan Studies, Modern East Asia Research Centre, Leiden University

2009-2010

British Council Grants to Artists scheme (0&1 project)

2009-2010

Grants, The Contemporary Art Foundation, Taiwan (0&1 project)

2008-2010

Grants for the Arts, Arts Council England, UK (0&1 project)

2005-2006

Grants for the Arts, Arts Council England, UK (i = ALCHEMISED project)

2004-2006

Overseas Research Student Awards, British Government

2003-2006

Loughborough University Faculty of Art and Social Sciences Scholarship

2002

Grants for the Arts, National Culture and Arts Foundation, Taiwan

2002

Art Creation Grant, S-an Cultural Foundation, Taiwan

I. 藝術與學術專業經驗 External Professional Services

2014

Jury Member. Grants for Art Criticism, Grand View Culture & Art Foundation, Taiwan.

Sept 2013

Jury Member. Imaginary Landscapes: Competition of International Media Art, organised by the Museum of Contemporary Art, Taipei and Ecole Professionnelle des Arts Contemporains, Switzerland.

2009 - 2010

Board Member. Chinese Arts Centre, Manchester, UK.

2008 - 2009

Peer-Reviewer. E-pisteme, Postgraduate E-journal in Humanities, Social Sciences and the Arts. Newcastle University, UK.

2002 - 2003

Artist in Residence. Stock 20 Gallery, Taiwan. Funded by the Council for Cultural Affairs in Taiwan.

J.國際學術研討會策劃Conference Session Convenor

24-27 June 2013

Visualising East Asia: Diasporas and (Post)digital Dialogues’ at The Eighth International Convention of Asia Scholars (ICAS 8). Macao, China. Co-convene with Dr Beccy Kennedy, Manchester Metropolitan University, UK.

12-14 April 2007

Toward A New Age of Asian Art’ at the Association of Art Historians Annual Conference 2007: Contestations. University of Ulster, Belfast.