http://www.icid.ncku.edu.tw/en
http://www.icid.ncku.edu.tw/wp-content/themes/beanincave
Education
  • PhD in Art History and Theory, Loughborough University, UK (2003–2008)
  • MA in Fine Arts, National Kaohsiung Normal University, Taiwan (2001–2003)
  • BA in Fine Arts, National Taiwan Normal University, Taiwan (1997–2001)
Experience
  • Associate Professor, National Cheng Kung University, Institute of Creative Industries Design, Taiwan (Feb 2018 - Present)
  • Director of Visual Arts, National Cheng Kung University Art Centre (Feb 2015 - Present)
  • Assistant Professor, National Cheng Kung University, Institute of Creative Industries Design, Taiwan (Aug 2013 - Jan 2018)
  • Postdoctoral Research Fellow, National Chiao Tung University, Research Centre for Humanities and Social Sciences, Taiwan (Jan 2013 – July 2013)
  • Lecturer, De Montfort University, UK (Jan 2009 – Oct 2012)
  • Visiting Faculty, Transart Institute, New York, USA (Aug 2009 – July 2011)
  • Research Assistant, Iris Archive, Loughborough University (Dec 2007 – July 2008)
  • Artist in Residency, Stock 20, Taiwan (2002.08 – 2003.07)
Expertise
  • 當代視覺文化 Contemporary Visual Culture
  • 當代藝術史及理論 Contemporary Art History and Theory
  • 女性主義藝術 Feminist Art and Theory
  • 後殖民理論 Postcolonialism
  • 當代展覽策畫 Contemporary Curation and Exhibition Management
Publications
  • + Books

    Turner, M. (2018). The Art of Contemporary Curation and Its Realisation: Body, Gender and Technology. Taipei: Wu Nan Publisher.

    Turner, M. (2017). Curating Contemporary Aesthetics. Tainan: Tang Yi International Art Curation Co., Ltd.

    Turner, M. and Outi Remes. (Editors/Authors) (2016). Transit Lives: Memory and Nostalgia in Contemporary Art. Taipei: Artouch Publishing.

  • + Journal Essays

    Turner, M. (2016). ‘Visualising Post-human and Cybersexuality: Lin Pey Chwen and the Eve Clone series’ in East Asian Journal of Popular Culture, Vol 2, Issue 2, October 2016, pp. 227-245.

    Turner, M. (2015). ‘Transforming human and beast: Hybridization and diasporic identities in Daniel Lee’s art’ in Journal of Contemporary Chinese Arts, Vol 1, No 2&3, December 2014, pp. 201-213.

    Turner, M. (2014). ‘Post-humanist Desire: Visualizing Cyborgs and the Hybridized Body’ in The International Journal of Cultural and Creative Industries, Vol 1, Issue 3, July 2014, pp. 86-97.

    Turner, M. (2014). ‘Digitality and Visuality of Nostalgia: Trans-ideology’ in Else Journal: art, literature, theory, creative media, issue 1, pp. 50-57.

    Turner, M. (2011). ‘Food, Popular Culture and Representation: The Fantasy World Seen Through Deng Wen-Jen’s Eyes’ in Modern Art Asia, Issue 7, Aug 2011.

    Turner, M. (2009). ‘Contemporary Taiwanese Women’s Art: How Art Can Enrich Lives (non x-rated)’ in Modern Art Asia, Issue 1.

    Turner, M. (2012). ‘Quasi-skin and Post-religion: Lin Pey Chwen’s Eve Clone series, 2010-11’ in n.paradoxa: international feminist art journal, Vol 30, pp. 33-39.

    Turner, M. (2010). ‘Cyborgs and Pleasure: Exploration of Art Works by Liu Shih-Fen, Lin Tsai-Shuan and Kuo Hui-Chan’ in n.paradoxa: international feminist art journal, Vol 25, pp 57-64.

    Turner, M. (2009). ‘Visualisation and Globalisation in the Asia-Pacific Region: the Taipei Biennial 1996-2008’ in The International Journal of the Arts in Society, Vol 4, issue 3, pp 291-302.

    Turner, M. (2007). ‘Colonial Architecture and Visual Art: A Case Study of the Exhibition, Sweet and Sour Yeast, in Taiwan in 2000-2001’, INFERNO: Journal of Art History. The University of St Andrews. Vol XI, pp 63-72.

  • + Authored Chapters

    Turner, M (2016). ‘The Posthuman Body: Wu Tzu-Ning’s ‘Incubation: born Beyond the Womb’ in Foreign Bodies: Human Identity in a Posthuman World. Exhibition Catalogue. Shanghai: Goethe Institut, pp. 58-69.

    陳明惠 (2014)。〈當代藝術中的身體與再現〉,林明賢主編,《台灣報到:2014台灣美術雙年展-藝術論壇論文集》,台中:國立台灣美術館,2014年12月,91-113頁。

    Turner, M. (2014). ‘Whose Cosmopolitanism? Globalisation, Taipei Biennial and Taiwan’s Presence at the First Asia Triennial Manchester’ in Kennedy, B., Mitha, A. and Leon Wainwright (eds). Triennial City. Manchester: Cornerhouse, pp. 162-179.

    陳明惠 (2014)。〈當代藝術中的身體與再現〉,林明賢主編,《台灣報到:2014台灣美術雙年展-藝術論壇論文集》,台中:國立台灣美術館,91-113頁。

    陳明惠 (2013)。〈音樂性、物件、新山水:陳艷淑作品中之象徵與詩意〉, 《Sweet.Box 蘇信義&陳艷淑創作研究展》,展覽畫冊,高雄市立美術館,22- 27頁。

    陳明惠 (2012)。〈電子人、身體與歡愉:由數位藝術思考〉,林珮淳主編,《台 灣數位藝術e檔案》。台北:藝術家出版社,108-117頁。

    陳明惠 (2012)。〈台灣數位藝術脈流計劃-脈流貳:「未來之身」〉,《建國一百 年台灣數位藝術脈流計劃-脈波壹:「未來之身」數位藝術展》。新竹:台灣科 技藝術教育協會,26-37頁。

    陳明惠 (2011)。〈性別與政治:西方女性現代藝術中的一些重要課題〉,黃雅倩等人主編《西方女性研究》。北京:人民大學出版社,164-182頁。

    陳明惠 (2010)。〈電子人、身體與歡愉:由數位藝術思考〉,《台灣數位藝術脈流計劃-脈波壹:「身體.性別.科技」數位藝術展》。新竹:台灣科技藝術教育協會,26-37頁。

    Turner, M. (2010). ‘11-01 Women in the Arts: An Overview’ in O’Connor, Karen (ed). Gender and Women’s Leadership. London: Sage Publications, pp 891-897.

    陳明惠 (2009)。〈飲食文化與性別政治之過渡:鄧文貞之繪畫與纖維藝術〉,《悍圖社聯展畫冊》。北京:大未來畫廊藝術有限公司,122-133頁。

    陳明惠 (2008)。〈心鏡花園:一場古典與現代的華麗交會〉,《花草.映:陳豔淑作品集》。高雄:新思惟人文空間,5-16頁。

    Turner, M. (2008). ‘Visualising Hybridised Culture and Colonial Heritage: Deng Wen-Jeng’s Imagination of Sexuality and Body’ in New Asian Imaginations. Singapore: Nanyang Academy of Fine Arts, pp 243-252.

    Turner, M. (2008). ‘An Interconnection between Classics and Modernity’ in Flora of Reflection: Cheng Yen-Shu’s Art. Exhibition Catalogue. Kaohsiung: Since Well Humanistic Gallery, pp 20-27.

    Turner, M. (2006). ‘Contemporary Taiwanese Women’s Arts: Curating a Movement into Art’ inthe International Institute of Asian Study Newsletter. Netherlands: International Institute of Asian Study. No 40, p 18. http://www.iias.nl/nl/40/IIAS_NL40_18.pdf

     

  • + Exhibition Catalogues

    Turner, M. and Phil Sayers (2014). Re-inventing the Museum: Changing Places by Phil Sayers (向美術館致敬:英國藝術家Phil Sayers藝術移轉計劃). Exhibition Catalogue. Tainan: B.B.Art. (published in English and Chinese).

    Turner, M. (2013). Inconvenient Truth: New Environmentalist Art in Cijin (不便的真相:新環境主義藝術在旗津). Kaohsiung: Taiwan Extra-Patriot Veterans Association. (Published in English and Chinese). http://forums.charnwoodarts.com/files/Cijin_catalogue.pdf

    Turner, M. (Ed) (2012). Beautiful Life: Memory and Nostalgia. Exhibition Catalogue. Loughborough: Charnwood Arts. www.beautifullifeexhibition.com/Beautiful%20Life%20Catalogue.pdf

    Turner, M. (Ed) (2010). 0&1: Cyberspace and the Myth of Gender (0&1:數位空間與性別神話). Exhibition Catalogue. Leicester: De Montfort University. (Published in English and Chinese)

    Turner, M (2008). Visualising Culture and Gender: Postcolonial Feminist Analyses of Taiwanese Women’s Exhibitions, 1996-2003. PhD Thesis, Loughborough University, 408 pages. https://dspace.lboro.ac.uk/dspace-jspui/handle/2134/4061

    Turner, M., Smart, G. and Bostock, S. (Eds) (2005). Careers in Art History, London: Association of Art Historians, 100 pages.

    Turner, M (2005). i = ALCHEMISED. Exhibition Catalogue. Nottingham: Surface Gallery.

  • + Reviews and Articles

    陳明惠 (2019) 。〈性別、科技、藝術:兼論林珮淳的夏娃克隆與當代美學〉,《藝術家》,第529期,台北:藝術家出版社,200-205頁。

    陳明惠 (2017) 。〈當代美學中的數位女性主義:林珮淳的夏隆創造計畫系列〉,《藝術家》,第504期,台北:藝術家出版社,430-433頁。

    陳明惠(2016)。〈坐擁林木的藝術饗宴:毓繡美術館〉,《art plus》,第58期,台北:藝術地圖,19頁。

    Turner, M. ‘The Endless Sense of Tranquility’ in a.m.post, July/August 2016, pp. 13-14.

    Turner, M. ‘Fakeology: Solo exhibition by Liao Chien Chung’ in a.m.post, July/August 2016, p. 13.

    陳明惠 (2015)。〈表面皮層:英國藝術家費爾.賽耶〉,《藝術認證》,第63期,高雄:高雄市立美術館,4-9頁。

    陳明惠 (2014)。〈女性藝術:女性生命圖像與社會議題〉,《藝術認證》,第56 期,高雄:高雄市立美術館,50-55頁。

    陳明惠 (2013)。〈後人類慾望:當代藝術中的身體神話〉,《藝術家》,第463 期,台北:藝術家出版社,362-363頁。

    陳明惠 (2013)。〈馬戲團世界巡迴展最終站:李小鏡藝術中的神話性〉,《藝術 收藏+設計》,第75期,台北:藝術家出版社,108-109頁。

    陳明惠 (2013)。〈毒劇二部曲:南倫敦畫廊推出寶琳.包德禮與雷納特.羅倫佐個展〉,《藝術家》,第453期,台北:藝術家出版社,242-243頁。

    陳明惠 (2013)。〈藝術中的變裝性與性別觀:英國當代藝術家葛雷森.派里 〉,《藝術家》,第453期,台北:藝術家出版社,238-241頁。

    陳明惠 (2013)。〈不便之真相:新環境主義藝術在旗津〉,《藝術家》,第452期,台北:藝術家出版社,366-367頁。

    陳明惠 (2012)。〈身體做為性別辯證之場域:英國藝術家費爾.賽耶的變裝與攝影藝術〉,《藝術家》,第447期,台北:藝術家出版社,266-273頁。

    陳明惠 (2012)。〈美麗人生:記憶與懷舊-台灣英國交流展〉,《藝術家》,第443期,台北:藝術家出版社,324-327頁。

    陳明惠 (2012)。〈邊緣的愛:歐洲現代與當代藝術中的同志情慾〉,《藝術家》,第442期,台北:藝術家出版社,196-199頁。

    陳明惠 (2012)。〈全球最大的藝術嘉年華-2012年倫敦文化奧運節慶〉,《藝術家》,第441期,台北:藝術家出版社,206-207頁。

    陳明惠 (2011)。〈脈波貳:未來之身-台灣數位藝術脈流計劃〉,《藝術家》,第438期,台北:藝術家出版社,258-261頁。

    陳明惠 (2011)。〈窺視與性別議題的探討:挪威當代藝術家安.蘭的扮裝創作〉,《藝術家》,第435期,台北:藝術家出版社,232-237頁。

    陳明惠 (2011)。〈超越人性與獸性之邊界:李小鏡藝術作品之混雜與變形特質〉,《藝術家》,第432期,台北:藝術家出版社,194-199頁。

    陳明惠 (2011)。〈擬皮層與超宗教:林珮淳的2010-11年《夏娃系列》〉,《藝術家》,第430期,台北:藝術家出版社,224-227頁。

    陳明惠 (2011)。〈電子人、身體與歡愉:台灣數位藝術脈流計劃-脈波壹:身體、性別、科技〉,《藝術家》,第428期,台北:藝術家出版社,293-297頁。

    陳明惠 (2010)。〈高更:神話的創造者〉,《藝術家》,第426期,台北:藝術家出版社,296-305頁。

    陳明惠 (2010)。〈誰的地圖藝術家的新地圖〉,《藝術家》,第423 期,台北:藝術家出版社,192-194頁。

    陳明惠 (2010)。〈重新畫分的世界地圖。諾丁漢當代館推出「不平均地理:藝術與全球化」〉,《藝術家》,第421期,台北:藝術家出版社,276-279頁。

    陳明惠 (2010)。〈數位符號與性別密碼:中國重慶“0 & 1”展〉,《藝術家》,第421期,台北:藝術家出版社,254-257頁。

    Turner, M. (2009). ‘Between Sexuality and Desire: Liu Shih-Fen’s Art and the Imaginary World’ in C Arts: Asian Contemporary Art and Culture. Singapore: United Univers Publishing, Vol 9, pp 22-25.

    Turner, M. (2008). ‘Exhibition Review – The Real Thing: Contemporary Art from China’ in The Art Book, London: Blackwell Publishers, Vol 15, No 3, pp 14-15.

    Turner, M. (2007). ‘Toward a New Age of Asian Art’ in the Association of Art Historians Bulletin. London: Association of Art Historians. No 95, p 7

    E.國際學術研討會論文發表 International Conference Presentations

    Turner, M. (2014). ‘The Role of Wu Mali and Social Engagement’, Contemporary Art, Curating and Social Engagement in Twenty-first Century China International Symposium. Rockbund Art Museum, Shanghai, China, 27 November 2014.

    陳明惠 (2014)。〈當代藝術中的身體與再現〉,《台灣報到-2014台灣美術雙年展》。台中:國立台灣美術館,2014年10月26日。

    Turner, M and Beccy Kennedy (2014). ‘Pop Up Republics’, ASIA TRIENNIAL MANCHESTER SYMPOSIUM 2014 ʻConflict, Compassion, Resolutionʼ. Imperial War Museum North, 20 November 2014.

    Turner, M. (2014). ‘Post-humanist Desire: Visualising Cyborgs and the Hybridised Body’, Curating Art History?: Dialogues between museum professionals and academics. The University of Birmingham, 7-8 May 2014.

    Turner, M. (2013). ‘Digitality and Visuality of Nostalgia: “Trans-ideology”, a Film Festival’, The 3rd International Conference of Culture and Creativity. National Cheng Kung University, 13-14 December 2013.

    Turner, M. (2013). ‘Issues of Memory and Nostalgia in Contemporary Art’, 2013 International Conference: Migrants and Their Memories. National Sun Yat-sen University, 4-5 November 2013.

    Turner, M. (2013). ‘Visualising the Contradictory Presence of Taiwanese Culture: Wu Tien-Chang’s Sense of Nostalgia and Contemporary Art’, East Asian Societies in Transition: Challenges and Connections. The University of Nottingham, 5-7 September 2013.

    Turner, M. (2013). ‘Between Human and Beast: Hybridisation and Transformation in Daniel Lee’s Art’, The Eighth International Convention of Asia Scholars (ICAS 8). Macao, China, 24-27 June 2013.

    陳明惠 (2013)。〈身體與性別辯證:英國藝術家費爾.塞耶 Phil Sayers的變裝與藝術〉,《文化研究協會年會》。台北:國立台灣師範大學,2013年1月5-6日。

    Turner, M. (2012). ‘Quasi-skin and Post-human: Lin Pey Chwen’s Eve Clone series 2010-2011’, Cultural Translation and East Asia: Film, Literature and Art. Bangnor University, UK, 7-8 September 2012.

    Turner, M. (2012). ‘Beautiful Life: a Curatorial Project on Visualising Diasporic Identities and Nostalgia in a Globalizing Age’, Globalizing Cultures and Identities: Sport, Lifestyle, Heritage. Manchester Metropolitan University, 5-7 July 2012.

    Turner, M. (2010). ‘A Personal Journey to a PhD: Cultural Studies in Creative Art and Design’, Keynote Speech, The Silent Language: Culture in Creative Research. De Montfort University, 17 March 2010.

    Turner, M. (2010). ‘Visualisation and Globalisation: Analyses of the Taipei Biennial from 1998 to 2008’, 5th International Forum of Sinology. China: Exposed Imposed Proposed. Portuguese Catholic University, Lisbon, Portugal, 26-28 February 2010.

    Turner, M. (2009). ‘Visualisation and Globalisation: The Taipei Biennial 1998-2008’, International Conference on the Arts in Society, organised by Common Ground, based at the University of Illinois Research Park, USA. Palazzo Cavalli Franchetti, Italy, 28-31 July 2009.

    Turner, M. (2008). ‘Visualisation and Globalisation: Some Cultural Considerations for the Taipei Biennial’, Post-Olympic China: Globalisation and Sustainable Development after Three Decades of Reform. The University of Nottingham, 19-21 November 2008.

    Turner, M. (2008). ‘Visualising Hybridised Culture and Colonial Heritage: Deng Wen-Jeng’s Imagination of Sexuality and Body’, New Asian Imaginations Symposium. Nanyang Academy of Fine Arts, Singapore, 1-2 August 2008.

    Turner, M. (2007). ‘Re-consider Subaltern-ness: 228 Art Exhibition in Taiwan’, The Dynamics of Transformation in East Asia. The University of Edinburgh, 24-26 October 2007.

    Turner, M. (2007). ‘Cyberfeminism and Contemporary Visual Art – From My Fingers: Living in the Technological Age’, BACS Annual Conference: China: Evolution or Revolution. The University of Manchester, 6-7 September 2007.

    Turner, M. (2007). ‘Cyberspace, Identity Discourses and Contemporary Art: The First International Women’s Art Festival in Taiwan in 2003’, The 5th International Convention of Asia Scholars: Sharing a Future in Asia. Kuala Lumpur, Malaysia, 2-5 August 2007.

    Turner, M. (2007). ‘Postcolonial Culture and Colonial Heritage: Theoretical Concerns of a Curatorial Exhibition’, Cultural Studies Now: An International Conference. University of East London, 19-22 July 2007.

    Turner, M. (2007). ‘Post-colonialism and Globalisation in the Asia-Pacific Region: The Taipei Biennial’, Everyday Life in the Global City. Manchester Metropolitan University, 9-11 July, 2007.

    Turner, M. (2007). ‘Colonial Architecture, Visual Art and Gender’, After the Fall: Sex, Gender &Power.University of Toronto, Canada, 9-10 February 2007.

    Turner, M. (2006). ‘Taipei Biennial 1996: Visualisation and Globalisation’, Art as ‘Reverse Colonialism’. Tate Liverpool, 3 November 2006.

    Turner, M. (2006). ‘The Quest for Identity: Taiwanese Women’s Art in the post-Martial Law Era’, China: Continuity and Change. Oxford University, 14-15 September, 2006.

    Turner, M. (2006). ‘Sexuality & Power: Women Artists in the Taiwan’, Thinking Women: Education, Culture and Society. University of Durham, 1-3 September 2006.

    Turner, M. (2006). ‘Sweet & Sour Yeast: a Postcolonial Feminist Investigation of a Women’s Art Project’, Art and the Senses. University of East Anglia, Norwich, 20-21 July 2006.

    Turner, M. (2006). ‘The Forgotten Women: Taiwanese Women’s Arts Since 1996’, The College Art Association Annual Conference 2006. Boston, USA, 22-25 February 2006.

    Turner, M. (2005). ‘Taiwanese Women’s Contemporary Fabric Art: a Review of BuBaoFu in 2003’, Women’s History Network. Southampton Solent University, 2-4 September 2005.

    Turner, M. (2004). ‘Wondering in the Mass of Chaotic Consciousness’, Association of Art Historians 2004 Summer School. University of Plymouth, 26-27 July 2004.

  • + International Curation
    • 2015年6月27日-9月20日

    《表相皮層:英國藝術家費爾.賽耶之當代藝術》

    Surface Epidermis: Contemporary Art by Phil Sayers

    展場:高雄市立美術館

    策展人:陳明惠

    27 June 2015 – 20 Sept 2015, Kaohsiung Museum of Fine Arts, Taiwan
    Surface Epidermis: Contemporary Art by Phil Sayers
    Funded by the Ministry of Culture, Taiwan
    Curated by Ming Turner

     

    • 2014年9月26日-10月19日

    《The Borderliner-曼特斯特亞洲藝術三年展》The Borderliner, Asian Triennial Manchester 2014

    展場:帝國戰爭博物館,曼特斯特,英國

    策展團隊:Beccy Kennedy、Paul Booth、陳明惠

    26 Sept 2014 – 19 Oct 2014, Venue: Imperial War Museum, Manchester, UK
    The Borderliner, Asian Triennial Manchester 2014
    Organised by Manchester Metropolitan University
    Co-curated by Beccy Kennedy, Paul Booth, Ming Turner

     

    • 2014年11日8日-12月28日

    《向美術館致敬:英國藝術家Phil Sayers藝術移轉計劃》

    Re-inventing the Museum: Changing Places by Phil Sayers

    展場:台南米米藝術藝術空間

    策展人:陳明惠

    8 Nov 2014 – 28 Dec 2014, B.B.Art, Tainan, Taiwan
    Re-inventing the Museum: Changing Places by Phil Sayers
    Funded by Tainan City Government and National Cheng Kung University
    Curated by Ming Turner

     

    • 2013年11月23日-2014年1月12日

    《後人類慾望》Post-humanist Desire

    展場:台北當代藝術館

    策展人:陳明惠

    https://www.youtube.com/watch?v=HRwHKgG2ZG0

    23 Nov 2013 – 12 Jan 2014, Museum of Contemporary Art, Taipei
    Post-humanist Desire
    Funded by Taipei City Government
    Curated by Ming Turner
    https://www.youtube.com/watch?v=HRwHKgG2ZG0

     

    • 2013年8月5-9日

    《跨意識:鄉愁》Trans-ideology: Nostalgia

    展場:Supermarket Creative Resource Centre, Berlin, Germany

    策展人:陳明惠

    5-9 Aug 2013, Supermarket Creative Resource Centre, Berlin, Germany Trans-ideology: Nostalgia
    Organised by Transart Institute, New York
    Curated by Ming Turner
    http://www.transart.org/transartfest/trans-ideology-nostalgia-short-film-festival/  

     

    • 2012年12月7日-2013年1月13日

    《不便的真相:新環境主義藝術在旗津》

    Inconvenient Truth: New Environmentalist Art in Cijin

    展場:旗津貝殼館、戰爭與和平紀念館、旗津鳳山寺前圍牆、旗津區公所前

    贊助單位:文化部、高雄市文化局。榮獲2012年度台新藝術獎提名

    策展人:陳明惠

    7-23 Dec 2012 – 13 Jan 2013, Cijin, Kaohsiung City, Taiwan
    Inconvenient Truth: New Environmentalist Art in Cijin.
    In partnership with Taiwan Extra-Patriot Veterans Association. Funded by Ministry of Culture, Taiwan and Kaohsiung City Government, Taiwan.
    Curated by Ming Turner
    http://forums.charnwoodarts.com/files/Cijin_catalogue.pdf

     

    • 2012年4月7日 – 4月30日:高雄駁二藝術特區

    2011年11月28日 – 2012年1月13日:英國新克里創意藝術中心 Creative Hinckley

    2011年9月10日 – 11月13日:英國南坡公園藝術中心 South Hill Park

    《美麗人生:記憶與懷舊》Beautiful Life: Memory and Nostalgia

    贊助單位:英格蘭藝術理事會、國家文化藝術基金會、當代藝術基金會

    策展人:陳明惠

    www.beautifullifeexhibition.com/

    9 Sep – 13 Nov 2011, South Hill Park, Bracknell, UK

    28 Nov 2011 – 13 Jan 2012, Creative Hinkley, Leicestershire, UK

    7 – 29 April 2012, The Pier-2 Art Centre, Kaohsiung, Taiwan

    Beautiful Life: Memory and Nostalgia.

    In partnership with Sin Pin Pier Art Space, Charnwood Arts and South Hill Park.

    Funded by the Arts Council England, the Contemporary Art Foundation (Taiwan), The National Culture and Arts Foundation (Taiwan) and De Montfort University.

    Curated by Ming Turner

    www.beautifullifeexhibition.com/

     

    • 2011年11月5-20日
      《台灣數位藝術脈流計畫 – 脈波貳 「未來之身」數位藝術展》
      展場:華山1914文創園區
      贊助單位:文建會
      策展團隊:陳冠君、林珮淳、駱麗真、邱誌勇、曾鈺涓、陳明惠

    5-20 Nov 2011, Huashan Creative Park, Taipei, Taiwan

    Taiwan Digital Art Pulse Stream Plan: The Second Phase ‘Next Body’ Digital Art Exhibition

    Funded by the Council for Cultural Affairs, Taiwan.

    Co-curated by Ming Turner, Lin Pey Chwen, Luo Lizhen, Chen Champion, Chiu Chih-Yung and Tseng Yu-Chuan.

     

    • 2010年12月17日 –2011年 1月23日

    《台灣數位藝術脈流計畫-脈波壹.身體.性別.科技」數位藝術展》

    展場:台北數位藝術中心

    贊助單位: 文建會、台北市立文化局

    策展團隊:林珮淳、廖新田、陳明惠、邱誌勇、駱麗真、曾鈺涓

    http://www.dac.tw/event/stream/

    17 Dec 2010 – 23 Jan 2011, Digital Art Centre Taipei, Taiwan

    Taiwan Digital Art Pulse Stream Plan: The First Phase ‘Body, Gender, Technology’ Digital Art Exhibition.

    Funded by the Taipei City Government and the Council for Cultural Affairs (Taiwan).

    Co-curated by Ming Turner, Lin Pey Chwen, Liao Hsin-Tien, Luo Lizhen and Tseng Yu-Chuan.

    www.dac.tw/event/stream/

     

    • 2010年4月10日 – 4月22日

    《0&1: 數位空間與性別神話》0&1: Cyberspace and the Myth of Gender

    展場:中國重慶501當代藝術中心

    贊助單位:英格蘭藝術理事會、英國文化協會、當代藝術基金會

    策展人:陳明惠

    10 April – 25 April 2010, 501 Contemporary Art Centre, Chongqing, China

    0&1: Cyberspace and the Myth of Gender.

    In partnership with Charnwood Arts in Loughborough.

    Funded by the Arts Council England, the British Council and the Contemporary Art Foundation (Taiwan).

    Curated by Ming Turner

     

    • 2009年8月8日 與2009年8月25日

    《純粹影展:亞洲中間人》Simply Screen: Inbetweeners of Asia.

    展場:Tranzfabrik (德國柏林)、The Bhavan (英國倫敦)

    策展人:陳明惠

    8 August 2009, Tranzfabrik, Berlin, Germany

    25 August 2009, The Bhavan, London, UK

    Simply Screen: Inbetweeners of Asia.

    Organised by Transart Institute, New York

    Curated by Ming Turner

     

  • + Grants and Awards

    2015

    文化部視覺藝術類獎助,《表相皮層:英國藝術家費爾.賽耶之當代藝術》策展 (申請單位:國立成功大學創意產業設計研究所)
    Grants for Visual Arts, Ministry of Culture, Taiwan (Surface Epidermis project)

    2014

    科技部延攬特殊優秀人才

    Grants for Newly-recruited Excellent Academics, Ministry of Science and Technology, Taiwan

    2014-2016

    英國 Arts & Humanities Research Council, Research Networking Project,台英研究計畫協同主持人 (計畫主持人:Dr Beccy Kennedy, Manchester Metropolitan University)。計畫名稱:Culture, Capital and Communication: Visualising Chinese Borders in the twenty first century (CCC:VCB)

    Co-investigator, Arts & Humanities Research Council, Research Networking Project (Principal Investigator: Dr Beccy Kennedy, Manchester Metropolitan University). Project Title: Culture, Capital and Communication: Visualising Chinese Borders in the twenty first century (CCC:VCB)

    2013

    財團法人國家文化藝術基金會,美術類藝術評論

    Grants for Art Criticism and Writing, National Culture and Arts Foundation, Taiwan

    2013

    行政院國家科學委員會,補助國內專家學者出席國際學術會議

    Attending Academic Conferences Grant, National Science Council, Taiwan

    2012

    文化部視覺藝術類獎助,高雄市文化局補助《不便的真相》策展

    (申請單位:高雄市關懷台籍老兵文化協會)

    Grants for Visual Arts, Ministry of Culture, Taiwan, and Kaohsiung City Government, Taiwan (Inconvenient Truth project)

    2011

    英格蘭藝術理事會,藝術獎助,《美麗人生:記憶與懷舊》策展

    Grants for the Arts, Arts Council England, UK (Beautiful Life project)

    Grants for the Arts, National Culture and Arts Foundation, Taiwan (Beautiful Life project)

    2011

    財團法人國家文化藝術基金會,美術類第一期國際交流補助《美麗人生》策展 (申請單位:新濱碼頭藝術學會)

    Grants, The Contemporary Art Foundation, Taiwan (Beautiful Life project)

    2011

    當代藝術基金會獎助金,《美麗人生》策展

    Grants, The Contemporary Art Foundation, Taiwan (Beautiful Life project)

    2010

    荷蘭萊頓大學(Leiden University)東亞研究中心,台灣訪問學者

    Research Grant for a Visiting Scholar in Taiwan Studies, Modern East Asia Research Centre, Leiden University

    2009-2010

    當代藝術基金會獎助金,《0&1》策展

    British Council Grants to Artists scheme (0&1 project)

    2009-2010

    英國文化協會,藝術獎助,《0&1》策展

    Grants, The Contemporary Art Foundation, Taiwan (0&1 project)

    2008-2010

    英格蘭藝術理事會,藝術獎助,《0&1》策展

    Grants for the Arts, Arts Council England, UK (0&1 project)

    2005-2006

    英格蘭藝術理事會,藝術獎助,《i = ALCHEMISED》個展

    Grants for the Arts, Arts Council England, UK (i = ALCHEMISED project)

    2004-2006

    英國政府海外研究學人獎學金ORS

    Overseas Research Student Awards, British Government

    2003-2006

    英國羅芙保大學人文社會科學院獎學金

    Loughborough University Faculty of Art and Social Sciences Scholarship

    2002

    獲財團法人國家文化藝術基金會美術類第二期展覽補助

    Grants for the Arts, National Culture and Arts Foundation, Taiwan

    2002

    獲財團法人世安藝術創作贊助

    Art Creation Grant, S-an Cultural Foundation, Taiwan

  • + Other Professional Experience

    2014

    評審,《2014年璞玉圓夢計畫藝評類》評審委員,財團法人鴻梅文化藝術基金會
    Jury Member. Grants for Art Criticism, Grand View Culture & Art Foundation, Taiwan.

    2013/09

    評審,《想像的風景 II-不朽的追求》(Imaginary Landscape II – Immortal Quest) 國際學生新媒體藝術徵件展,主辦單位:台北當代藝術館、瑞士Ecole Professionnelle des Arts Contemporains

    Jury Member. Imaginary Landscapes: Competition of International Media Art, organised by the Museum of Contemporary Art, Taipei and Ecole Professionnelle des Arts Contemporains, Switzerland.

    2009-2010

    理事委員,華人藝術中心,英國曼特斯特

    Board Member. Chinese Arts Centre, Manchester, UK.

    2008-2009

    審稿委員,《E-pisteme, Postgraduate E-journal in Humanities, Social Sciences and the Arts》,英國 Newcastle University

    Peer-Reviewer. E-pisteme, Postgraduate E-journal in Humanities, Social Sciences and the Arts. Newcastle University, UK.

    2002-2003

    駐站藝術家,台灣文建會台中二十號倉庫

    Artist in Residence. Stock 20 Gallery, Taiwan. Funded by the Council for Cultural Affairs in Taiwan.

  • + Conference Session Convenor

    24-27 June 2013

    ‘Visualising East Asia: Diasporas and (Post)digital Dialogues’ at The Eighth International Convention of Asia Scholars (ICAS 8). Macao, China. Co-convene with Dr Beccy Kennedy, Manchester Metropolitan University, UK.

    12-14 April 2007

    ‘Toward A New Age of Asian Art’ at the Association of Art Historians Annual Conference 2007: Contestations. University of Ulster, Belfast.

  • +

    《藝術家親身體驗之研究:以運用陶土加上手抄紙創作非傳統陶藝為例》

    The Study of Lived Experience of the Artist: Utilizing Handmade Paper and Porcelain Slip to Create Unconventional Ceramic Arts

    國立成功大學 / 規劃與設計學院 / 創意產業設計研究所 / 107 / 博士

    研究生:黃柳 (Krisaya Luenganantakul)

    指導教授:陳明惠

     

    《檢視擴增實境及虛擬實境應用於古蹟之遊客體驗–以打狗英國領事館為例》

    Examining Heritage Visitor Experience of Augmented Reality and Virtual Reality Application– A Case Study of The British Consulate at Takow

    國立成功大學 / 規劃與設計學院 / 創意產業設計研究所 / 107 / 碩士

    研究生:張沂 (Yi Chang)

    指導教授:陳明惠

     

    《台灣原住民族符號探討:以台灣原住民族藝術展覽行銷為例》

    The Semiotics of Indigeneity in Taiwan: A Case Study of the Marketing of Taiwan Indigenous Art Exhibitions

    國立成功大學 / 規劃與設計學院 / 創意產業設計研究所 / 107 / 碩士

    研究生:沈盈峰 (Daniel Christopher Moore)

    指導教授:陳明惠

     

    《探討霓虹光的科技藝術與設計再造創作》

    Exploration of Technolong Art and Redesign in Neon Light

    國立成功大學 / 規劃與設計學院 / 科技藝術碩士學位學程 / 107 / 碩士

    研究生:林信宏 (Xsin-Hung Lin)

    指導教授:陳明惠、馬敏元

     

    《身體流變-張心瑜創作論述》

    Bodified Transition – Discourses of Hsin Yu Chang’s Artistic Creation

    國立成功大學 / 規劃與設計學院 / 科技藝術碩士學位學程 / 107 / 碩士

    研究生:張心瑜 (Hsin-Yu Chang)

    指導教授:陳明惠、楊佳翰

     

    《虛擬實境再現情感融合的不確定性-張虔祥數位藝術創作研究》

    Using Indetermination of Virtual Reality in Represent Emotions Chang Chien Hsiang’s Creation Research in Digital Art

    國立成功大學 / 規劃與設計學院 / 科技藝術碩士學位學程 / 107 / 碩士

    研究生:張虔祥 (Chien-Hsiang Chang)

    指導教授:陳明惠、胡敏君、林彥呈

     

    《擴增實境結合平面圖像之數位藝術創作》

    Digital Art Creation On Images Combined with Augmented Reality

    國立成功大學 / 規劃與設計學院 / 科技藝術碩士學位學程 / 107 / 碩士

    研究生:王乙如 (Yi-Ju Wang)

    指導教授:陳璽任、陳明惠

     

    〈《我與我之間》系列作品創作論述〉

    The Artist’s Statement of “Me & Me” Artwork Series

    國立成功大學 / 規劃與設計學院 / 科技藝術碩士學位學程 / 107 / 碩士

    研究生:魯岱瑄 (Tai-Hsuan Lu)

    指導教授:陳明惠、陳璽任

     

    《儲夢空間-夢境的自我解析與創作論述》

    Dream Container – Interpretation of Dreams and Description of Creation

    國立成功大學 / 規劃與設計學院 / 科技藝術碩士學位學程 / 107 / 碩士

    研究生:陳亭臻 (Ting-Chen Chen)

    指導教授:林彥呈、陳明惠

     

    《解構影像轉化立體成型藝術創作》

    Deconstruction image transformation three-dimensional shape art creation

    國立成功大學 / 規劃與設計學院 / 科技藝術碩士學位學程 / 106 / 碩士

    研究生:黃俊凱 (Jiun-Kai Huang)

    指導教授:陳明惠、林軒丞

     

    《虛實之間:日常與超常的互滲 – 洪凱祥創作論述》

    Between reality and virtuality: The interpenetration of normal and paranormal objects – Kai Hsiang Hung’s description of creation

    國立成功大學 / 規劃與設計學院 / 科技藝術碩士學位學程 / 106 / 碩士

    研究生:洪凱祥 (Kai-Hsiang Hung)

    指導教授:陳明惠、廖又儀

     

    《吉卜力風格虛擬實境動畫- 非線性敘事動畫創作》

    Studio Ghibli Style Animation in Virtual Reality – creating a non-linear narrative animation film

    國立成功大學 / 規劃與設計學院 / 科技藝術碩士學位學程 / 106 / 碩士

    研究生:陳相丞 (Rider Chen)

    指導教授:陳明惠

     

    《基於使用者經驗分析數位學習與行動載具學習之特性:用以設計行動載具學習的使用者介面》

    How to Design M-learning User Interface: Analyzing Features of E-learning and M-learning Based on User Experience

    國立成功大學 / 規劃與設計學院 / 創意產業設計研究所 / 105 / 碩士

    研究生:江亦翔 (Yi-Siang Jiang)

    指導教授:陳明惠

     

    《創新商業模式導入設計公司轉型為新型企業個案研究:研能創新設計工場有限公司》

    Innovative Business Model to Transfer to Be a New Enterprise from Design Company Case Study: BLOX-HOUSE CO., LTD

    國立成功大學 / 規劃與設計學院 / 創意產業設計研究所 / 105 / 碩士

    研究生:田乙君 (Yi-Chun Tien)

    指導教授:陳明惠

     

    《μsic -透過音訊增強共感體驗》

    μsic – Sound Facilitates Synesthesia Tactile Experience

    國立成功大學 / 規劃與設計學院 / 科技藝術碩士學位學程 / 105 / 碩士

    研究生:羅翊寧 (Yi-Ning Lo)

    指導教授:陳明惠、何俊亨

     

    《運用程式藝術產生心流體驗表現禪的意境》

    Flow Influences Zen in Programming Art

    國立成功大學 / 規劃與設計學院 / 科技藝術碩士學位學程 / 105 / 碩士

    研究生:葉泰佑 (Tai-You Ye)

    指導教授:陳明惠、林軒丞

     

    《數位幾何影像與身體互動創作研究》

    The Creation and Research of Digital Geometry and Interaction with the Body

    國立成功大學 / 規劃與設計學院 / 科技藝術碩士學位學程 / 105 / 碩士

    研究生:黃佩珊 (Pei-Shan Huang)

    指導教授:陳明惠、廖又儀

     

    《數位藝術結合擴增實境及全息投影技術之研究創作》

    The Research and Creation of Digital Art Combining Augmented Reality and Projected Holographic Display

    國立成功大學 / 規劃與設計學院 / 科技藝術碩士學位學程 / 105 / 碩士

    研究生:于庭懿 (Ting-Yi Yu)

    指導教授:陳明惠

     

    《文化價值的生成:縱觀當代藝術策劃的增值過程》

    The Valorization Process of Cultural Value: A Perspective from Contemporary Art Curatorial Practices

    國立成功大學 / 規劃與設計學院 / 創意產業設計研究所 / 103 / 碩士

    研究生:胡安 (Juan Sebastian Bayona)

    指導教授:陳明惠、仲曉玲

     

    《探討生物藝術實踐之跨領域性:以台灣生物藝術社群為例》

    Exploring the Interdisciplinarity of Bioart Practice: A Perspective from TW BioArt

    國立成功大學 / 規劃與設計學院 / 創意產業設計研究所 / 103 / 碩士

    研究生:邱子峻 (Tzu-Chun Chiu)

    指導教授:陳明惠